Drink Up

When life hands you lemons and you forgot your lemonade recipe, what are you expected to do?

Improvisation is the first thing that comes to mind. You know that you need to juice them. Do you go to the appliance store and get a hardcore juicer? Do you use the hand lemon squeezer? How do you make sure you don’t get seeds in the juice that you squeeze out of those suckers? Do you even have enough lemons?

Let’s assume that Life’s handed you a few pounds of them. Enough to make a good three pitchers full of no-recipe, improvised lemonade. A huge three pitchers. Now, you’ve got all that lemon juice out. It took a while, but you did it. You’ve got pruney, sour fingers and teary, citric eyes, but you have enough juice to fill those pitchers. The next step involves getting a large pot and putting it on the stove, filling it with the lemon juice and adding some sugar.

Here’s the hard part: how much sugar do you need to put? Do you add what you think makes sense? Do you add a little and then taste to see if you need to add more? You think that there must be some water involved at some point, to cut back the acidity of the lemon juice, to deconcentrate the concentration of sour. Life shouldn’t be so sour, but its given you lemons, so do you keep your ‘ade on the sour side? Do you stick your tongue out at Life and throw in all the sugar you have on hand? Is sweet the optimal goal? Is a sweet Life a happy Life? Is sweet synonymous with successful? Fulfilling? Special?

Or is sweet too easy? Do you need to keep it less sugared, add just enough to let you taste the goodness, but let the acid bite into your tongue with enough force that you can’t forget there’s always the other side, the less happy-go-lucky side, the side that forces your face to contort into the ugliest of grimaces.

Do you add something else to your lemonade, then? Do you throw in the bourbon you keep in the cupboard over the stovetop? Make it so it has a direct effect on your reality as you see it. Make it so it can tilt your perspective, blur your decisions, overwhelm and perplex your senses. Is this sensory overload lemonade? Are Life’s lemons really only a metaphor? Are they meant to provide lessons, second chances, motivations? Are they road blocks? Are they the inspiration to give in to madness? The bourbon you’ve grabbed sits on the counter and it’s going to stare at you until you decide if you want to be the good lemonade stand or the bad. The bad overcharges and over liquors. The good just wants to quench your thirst.

You can leave the bourbon out of it for the moment. The lemon juice is carefully simmering in the pot on the stove, sugared up with the perfect balance of just enough and not enough. When the sugar is melted and the pot is steaming gently, you turn down the heat. Lemonade isn’t supposed to be hot. Bring the pot off the burner and get your three pitchers ready.

Here’s where you might add that bourbon. Do you? Do you bastardize Life’s lemons? In a sense, yes, you should. Because you never know when Life will hand you more lemons to make lemonade with. You have three pitchers. Nobody ever said one of them couldn’t be blasphemous. You pour the first two pitchers. The sight of their rotund, transparent bellies full of soft yellow liquid is like a cliched ray of sunlight piercing your eyeballs. You can almost taste the lemon warmth. Those pitchers go in the fridge.

The last pitcher is still empty and that bourbon is relentlessly staring at the back of your head. So you realize that there’s no point in denying how much you want to go against Life’s plans. That bourbon is going in. You snatch-grab it and unscrew it and pour it into what’s left in the pot. You know you should taste it, check the bad levels, but then where’s the fun? You pour that third pitcher full and the lemony sunlight colour is noticeably ambered. It’s richer, fuller, and you can tell by looking at it that it holds more secrets than any of Life’s other lemonade.

You take those three pitchers and you put them into the fridge. You’ll know which one is dangerous and which ones are safe.

Life gave you lemons so you could make lemonade.

You certainly did.

The Perfect Crime?

“We pulled that off quicker than I thought we would.”

“I know, seemed almost too easy.”

“Agreed. There was a moment there, when you were maneuvering through those lasers, I really thought our planning hadn’t been thorough enough.”

“Thanks for the doubt, partner.”

“I’m saying I was impressed!”

“Oh, well, good thinking with the dog treats, those beasts were pretty rabid looking.”

“I never got that… You’d think PETA would be all up in the ‘starving-dogs-out-of-their-minds’ thing.”

“It’s been a while since I’ve seen the horde of angry rotweilers, you’d think with all the advancements in security tech…”

“Doesn’t matter, we got what we came for.”

“Oh, you bet we did.”

“So… Part Two. I’ll take the necklace and we’ll rendez-vous to split the payoff.”

“Wait, first of all, when were you the collector? And second, what necklace?”

“Come on, we discussed this, the more time we joke around, the less likely we’ll get our full price.”

“Right, you’re right. Always right.”

“Exactly, so… Necklace?”

“I thought it was ‘Girl With a Pearl Earring’…”

“Huh?”

“Vermeer?”

“You’re… joking?”

“I’m not?”

“Necklace. A pearl necklace. With a pendant inlaid with several pear cut diamonds between three and four carats each. That was the job. You were there for the briefing, right?”

“Uh…”

“Oh boy.”

“Got any more dog treats?”

“…”

“What should I do with this painting, then?”

Who You Gonna Call?

This looks familiar. You know you’ve seen it before and it has nothing to do with the fact that it’s the library you’ve studied in since year one. It’s got to be around 2am, and even though you know you aren’t the only one with an exam in seven hours, it definitely feels that way. There doesn’t seem to be anyone else sitting at the other long, wooden tables, slouched over heavy tomes, eyes red and puffy. You’ve walked through this aisle among the book shelves at least thirty times throughout the day, looking for more information. Anything at all that might bolster the minimal amount of knowledge you’ve actually retained from class. So add it all together, yeah, it looks familiar.

But there’s this uncanniness that you’re trying to place. The way the lighting in the library gives off that old timey look after the sun sets. The way nobody else, even the few you’ve seen asleep on the couches in the lobby, seems quite aware enough of their surroundings. There’s a cold sensation prickling up beneath your shirt, beneath your skin, along your spine and it’s as you walk towards the end of the aisle, see another wall of books, try and decide which way to turn, that you remember why this looks familiar.

You saw it in a movie once. Twice. Okay, lots of times, though most of them you were higher than a tightrope walker crossing the Niagara. The cold prickling has reached the base of your neck and you know, without really knowing, that you shouldn’t turn around. You should go left, go back to your table, go back to pretending to study. Or at least fall asleep for a couple of hours. Except you do turn around, because you have to see, see before you pass out from something you’ll make up later so as not to admit that it’s fear:

Green slime, grinning back at you so hard its glowing. A floating mass that might be a head. Two spindly arms, reaching. Reaching for you. A sound, maybe you screaming? A pause, then it comes closer, closer still, too fast to react on your end. You can remember the wetness of the ooze, but that’s really it before the floor becomes your friend and the blackness makes you feel a little better.

LensWright is…

An experiment in creative communication between two long-time friends who live in different cities. more...

Photography by K.J.
Words by L.A.

Archives

May 2012
M T W T F S S
« Feb    
 123456
78910111213
14151617181920
21222324252627
28293031  

Follow us!